Posted by Ed Conroy / JANUARY 23, 2015
Of course, now there are no more VJs on Muchmusic, only reruns of The Cleveland Show and a meaningless brand blander than Pablum. Thank god for YouTube, then, to house warm memories of when Muchmusic was the best ticket in town, a unique and punky Canadian media circus which helped us navigate the ’80s, ’90s and early 00’s.
Muchmusic meant a lot of different things to a lot of different people, but here are my picks for their top 10 VJs of all time:
Patient zero. Along with Jeanne Becker, Roberts carved out what became the template for Much with the incendiary 1970s Citytv series The New Music. When Much launched in 1984, Roberts was there with fantastic 80s Metal glam hair, equally adept at swapping small talk with Billy Joel, playing Metallica videos or jamming on stage with Blues legends like Solomon Burke.
R.I.P. The closest thing Much had to a resident John Belushi, the party never stopped if ardent gooner Gallagher was in the vicinity. Notable for a John Candy like exuberance, anarchical spirit and contagious belly laugh, Gallagher also anchored the station’s cult game show Test Pattern, which celebrated its scotch tape and rubber band budget with great aplomb.
Sultry Angela could always be found stone cold charming in the studio, toying with morons like Vanilla Ice, ordancing up a storm in sweaty night clubs when Much took her out on the Spring Break road tour. Also, the only Much VJ to really graduate to Hollywood, chalking up parts in big ’90s shows like Seinfeld (as Donna Chang, naturally) and Star Trek: Voyager.
Mike Williams was the original eclectic Don, a breezy Metal head (hosting Pepsi Power Hour), soul brother (Soul in the City) and Hip-Hop bona fide (Rap City) with a velvet voice and laid back persona. Dutifully credited as one of the handful of seismic forces that helped Hip-Hop and rap crossover into the mainstream in Canada, Williams was also much more than that. Truth be told, the station was never really the same after he left in 1993.
The original, and still best, host of The Wedge. Cranky Brit Evans had filled in as host of City Limits after fellow Brit Kim Clark Champniss left, and while his on-air demeanor was at times intense, it suited the genres and bands covered. Evans had an encyclopedic knowledge of music which paired with his moody Northern accent made for great TV. Followed by Sook-Yin Lee, who gently raised the profile of the show.
Erica was espousing poppy Girl Power long before the Spice Girls were a glint in some accountant’s eye. Her steely confidence, big eyes and anime-ish voice broke a million hearts and helped a generation of Canadian boys through puberty, plus she was never afraid to throw down at the first sign of dick-head diva behaviour on screen.
Like a post-modern pop culture maven, Hannah was maybe the best interviewer Much had in their later years. Never patronizing, always fun and perhaps the last VJ who seemed to actually be a huge fan of music rather than some bean counter’s idea of what a “quirky” host should be.
What more can be said? Stombo’s Much era was a mere dress rehearsal for the epic-ness to follow.
Ed the Sock
Long before Jesse Brown became a fly in the old guard Canadian media’s ointment, Ed the Sock was fighting the good fight (the two have in fact become natural allies it seems). Ed’s subversive shtick is still misunderstood – often accused of being the very thing it is railing against – but his Titanic eviscerations of fools and bull-shitters were always masterpieces to behold. A true VJ super-star!
Tony “Master T” Young
Master T epitomizes the old-school Much ethos, so much so that his departure from the station in 2001 really was the end of an era. Last summer when the massive round of lay-offs were announced, and the media began to pen Muchmusic’s blood and tear stained obituary, it was Master T who emerged with the best suggestion – #GivethembacktoMoses.
Can the last person out there still watching MuchMusic please remember to turn off the TV when they are done.